Nude With Boots
The Melvins
Ipecac
****




What do you do after being in business for 25+
years? Well, if you’re Mick Jagger you keep on
keeping on, or at least until Keith Richards’
contract with the devil runs out and he is forced
to return back to the eighth circle of hell. But
what do you do if you’re Seattle band The
Melvins? Well you do what you do best you put
another album in the can.
King Buzzo Osborne and co-founding member,
Dale Crover are back with Nude With Boots
which marks the newest release for The Melvins.
This time they brought back some friends,
welcoming the annexation of Jared Warren and
Coady Willis from Big Business. They also
played on The Melvins critically acclaimed 2006
release (A) Senile Animal. This is quite a feat
concerning The Melvins’ past: Osborne and
Crover don’t play nice. ‘The Melvins’ lineup has
been a revolving door since there conception. So
what made Osborne and Crover change their tune?
Well, you keep what works, and Nude With
Boots works.
Picking up right where Senile Animal left off,
Nude With Boots screams back ‘NO WE WILL
NOT GO QUIETLY INTO THE NIGHT’!
Letting us know what the Seattle scene was all
about in the first place. Even though The Melvins
didn’t prosper from the early nineties scene in
their hometown, Boots opens our eyes to where
all that inspiration came from. With songs like
“Suicide in Progress”, “Billy Fish” and the
feedback-drenched “Savage Hippy”, The Melvins
don’t make any changes on Nude With Boots,
they might repeat a few old tricks, but they still
have a few rabbits in their hats and NO! THEY
WILL NOT QUIETLY INTO THE NIGHT!
Milagrosa
Totimoshi
Volcolm
****





Can something be two completely different
things at the one time? Any drunken monkey
can understand that something can be two
different things at different times, but how can
something be two different things at the exact
same time? I don’t know but it just can. A
perfect example is Totimoshi’s sophomore
release, Milagrosa. It’s loose and tight, gritty
and polished, heavy and soft, and somehow it
works.
Totimoshi is the gritty California Bay-Area
band that manages to fuse their Latin heritage,
(guitarist Tony Aguilar is the son of migrate
workers, and bassist Meg Castellanos comes
from a Cuban background) with early Black
Sabbath and early grunge influences, and it
doesn’t hurt to have Helmet guitarist, Page
Hamilton produce your record. Think Los
Lobos and Tony Imoni caught in a jam
session. The Latin side of their sound shines
through on songs like “Last Refrain” and
“Little Bee”. It’s hard to imagine Milagrosa
without the Latin influence if it wasn’t there it
be another run of the mill hard rock record, but
possessing it makes it hard to dismiss. But
then again, I’m sure metal heads and punkers
across the board will do just that and that
makes the discovery sweeter yet for the rest
of us.
Every Fight is A Food Fight When You’re A
Cannibal
Safari So Good
Champion Ship
***½






Safari So Good is a band from Harrisburg,
Pennsylvania that isn’t afraid to have a little fun,
and obviously doesn’t take themselves too
seriously. Every Fight Is A Food Fight When You’
re A Cannibal is the debut EP from the hybrid
group made up of former members of Breaking
Pangaea and The Commercials. Every Fight is A
Food Fight When You’re A Cannibal may only
have four tracks, but they are chocolaty pop-punk
goodness in the vein of A Simple Plan, except with
a shit ton more energy.
Every Fight is A Food Fight When You’re A
Cannibal ‘s songs may have absurd titles like
“Dogs With Bees in Their Mouths Who When
They Bark They Shoot Bees at You” but they can
argue with radio friendly hooks that could catch a
Mino, like on “A Pirates Life For Me” and the
mellow, acoustic cover version of “Perfect”. Stay
tuned for the full length.
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